(i) Origin and development of Odia Language-Influence of Austric, Dravidian, Perso-Arabic and English on Odia Language.
(ii) Phonetics and Phonemics : Vowels, Consonants Principles of changes in Odia sounds.
(iii) Morphology : Morphemes (free, bound compound and complex), derivational and inflectional affixes, case inflection, conjugation of verb.
(iv) Syntax : Kinds of sentences and their transformation, structure of sentences.
(v) Semantics-Different types of change in meaning Euphemism.
(vi) Common errors in spellings, grammatical uses and construction of sentences.
(vii) Regional variations in Odia Language (Western, Southern and Northern Odia) and Dialects (Bhatri and Desia)
(i) Historical backgrounds (social, cultural and political) of Odia Literature of different periods.
(ii) Ancient epics, ornate kavyas and padavalis.
(iii) Typical structural forms of Odia Literature (Koili, Chautisa, Poi, Chaupadi, Champu).
(iv) Modern trends in poetry, drama short story, novel, essay and literary criticism.
Critical Study of texts -The paper will require first hand reading of the text and test the critical ability of the candidate.
1. Sãralã Das-Shanti Parva from Mãhãbharãta.
2. Jaganãth Das-Bhãgãbate, XI Skandha-Jadu Avadhuta Sambãda.
3. Dinãkrushna Dãs-Rasakallola- (Chhãndas-16 & 34)
4. Upendra Bhanja-Lãvanyabati (Chhãndas-1 & 2)
5. Rãdhãnãth Rãy-Chandrabhãgã
6. Mãyãdhãr Mãnasinha-Jeevan Chitã
7. Satchidãnanda Routray-Kabitã-1962
8. Ramãkãnta Ratha-Saptama Ritu.
9. Manoranjan Dãs-Kãtha-Ghodã
10. Bijay Mishra-Tata Niranjanã
11. Fakir Mohan Senãpati-Chhamãna Ãthaguntha
12. Gopinãth Mohanty-Dãnãpãni
13. Surendra Mohãnty-Marãlãra Mrityu
14. Manoj Dãs-Laxmira Abhisara
15. Chittaranjan Dãs-Taranga O Tadit (First five essays).
16. Chandra Sekhar Rath-Mun Satya-dhãrma Kahuchhi (First five essays)
Verifying, please be patient.