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A dissonant chord in the world of Carnatic music
Context:
Renowned Carnatic musician T.M. Krishna has been awarded the prestigious Sangita Kalanidhi award by The Music Academy, Madras, sparking a polarized debate within the music community due to his dual role as an artist and activist.
Artistic Innovation and Activism:
- Challenging orthodoxies:M. Krishna's artistry is marked by a blend of tradition and innovation, challenging orthodoxies while staying rooted in classical Carnatic music.
- Inclusivity and social justice: As an activist, Krishna amplifies the voices of marginalized communities, challenging societal norms and advocating for inclusivity and social justice.
- Traditional mix: His performances are characterized by a mix of traditional compositions and unconventional choices, provoking both admiration and controversy.
Reactions and Polarization:
- Divide: The awarding of the Sangita Kalanidhi to Krishna has ignited a polarized response within the music community, with divisions along ideological and political lines.
- Different versions: Some musicians and enthusiasts support Krishna's activism, seeing it as a necessary evolution of the art form, while others criticize him for allegedly politicizing classical music.
- Societal division: The controversy highlights deeper societal divisions, including debates over caste, religion, and political ideology, reflecting broader tensions within Indian society.
The Role of the Artiste:
- Role of artist in society: The debate surrounding Krishna's award underscores broader questions about the role of the artist in society and the intersection between art and activism.
- Need to address issues: While some argue for the autonomy of art from politics, others advocate for artists to use their platform to address social issues and effect change.
- Balance: Ultimately, the challenge lies in finding a balance between artistic expression and social responsibility, recognizing that art has the power to both reflect and shape society.
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